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On the other hand, most of us never make prints larger than about 8 10-inches, and that means today s crop of 33-megapixel cameras are good enough But if you want larger pictures like 11 17 or 13 19 (well within the ability of some desktop inkjet printers) you need more pixels Or, you might want to change the composition of a digital image by cropping away a lot of unwanted pixels, and then print the resulting image as an 8 10 You ll need to start with a larger image, such as a 4- 5-, or 6-megapixel, to get good results See The whole issue of resolution can get a bit complicated A few top-of-the-line, pro-level digicams can generate 6-megapixel images Photographers consider that an important number because that s the resolution generally associated with 35mm cameras It s hard to pin down the exact resolution of 35mm SLRs because it varies depending on the choice of film, lens, and lighting conditions, but 6 megapixels is a good estimate Unlike film cameras, digital cameras have no resolution limits All 35mm SLRs use the same size negative, but digital camera resolution can go up each time a new model packs more pixels onto the CCD So while it would be great to take a wall-sized picture with your 35mm SLR, that s simply impossible, even if you go out and buy a more expensive camera 35mm slides and negatives are far too small; if you enlarge them, the grains start to become readily visible once you get past 8 10-inch prints The only way to get larger prints is to start with a larger negative, and that means switching to medium- or large-format photography an entirely different kind of camera So what s next No major camera makers have yet announced 8- or 10-megapixel cameras, but it s probably just a matter of time Actually, I suspect that digital camera development may finally be starting to slow down; most of us average shooters are reasonably happy with 3-megapixel cameras, and even most pros will be satisfied with 6-megapixel models Eventually, though, specialty digital cameras will no doubt come in resolutions that allow photographers to work with huge prints like those from large-format cameras In the meantime, we re seeing another trend in digital photography: satisfying traditional film photographers Right now, the main kind of digicam is the point and shoot model Point and shoot digital cameras appeal to casual and even some advanced photographers They look like 35mm point and shoot models (see Figure 1-2) and automate most of the features needed to take pictures SLR digital cameras are getting more popular all the time These cameras are aimed at serious photographers Models like the Nikon D1H and the Canon D30 feature interchangeable lenses, powerful flash units, and a wealth of manual controls In a nutshell, they work and behave just like SLRs from the film world If you have a trusty old SLR and want a digital camera that s just like it, this is a good time to be getting into digital Only a year or two ago, the price of these pro-oriented cameras were $5,000 and beyond Right now, I can find the Canon D30 for $2,000 and the Nikon D1H for $3,000 at wwwpricegrabbercom, and the prices will no doubt be even lower in a year Olympus sells the e10, a clever SLR-like camera that offers professional controls but doesn t include interchangeable lenses, and that camera is available for just $1,300 As digital cameras get ever more popular, we ll see more of these SLR-style cameras that give photographers all the power and flexibility of SLR cameras with the immediacy of the digital medium, and their prices should drop rapidly In the first edition of this book, when such cameras were still selling for $5,000,.

18 Investors are usually influenced by things that are not really crucial, such as stock splits, increased dividends, news announcements, and brokerage firm or advisory recommendations

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Before you can try your hand with infrared, you need to learn if your digital camera is capable of seeing in infrared Not all cameras can; some include something called a hot mirror, which is designed explicitly to block infrared light Go grab an infrared remote control, like the one that operates your television or stereo Point it toward your camera s lens, turn on your camera, and look at the camera s LCD display When you press a button on the remote, can you see a red light at the end of the remote If you can, the camera is sensitive to infrared and you re ready to go If you don t see the remote light up, then your camera has a hot mirror and you can t shoot infrared, sorry As you have probably guessed, you need some way to prevent visible light from entering the camera lens when you shoot in infrared What you need is a filter Infrared filters are designed to block most or all of the visible light in a scene All that reaches your camera s CCD is infrared light, which is what your camera will use to take the picture Here s the bad news: Infrared filters are specialty photographic items and typically aren t available at your local photo store You may be able to special-order an infrared filter, but it s probably cheaper from an online photo store such as wwwadoramacom or wwwbhphotovideocom Either way, an infrared filter will set you back around $50 to $75 They come in a variety of strengths, but I ve found any one will do Just be sure to order one that will fit the thread size on the front of your digital camera; if your camera doesn t have screw threads, you may be able to order an adapter.

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If you hunger to become a winning investor, read the above items over very carefully several times and be totally honest with yourself How many of the habits mentioned above describe your investment beliefs and practices As Rockne would say, "These are the weaknesses which you must systematically work on until you can change and build them up into your strong points" Poor principles and poor methods will yield poor results Sound principles and sound methods will, in time, create sound results My parting advice to you is: Have courage, be positive, and don't ever give up Great opportunities occur every year in America Get yourself prepared and go for it You'll find that little acorns can grow into giant oaks Anything is possible with persistence and hard work It can be done, and your own determination to succeed is the most important element

When is the best time to shoot infrared photos In the early morning or late afternoon hours You can t shoot at night, of course, because there s little or no infrared light available to expose your picture You ll find out very quickly that infrared photography is dramatically different than visible light photography The most important difference, of course, is that an infrared filter blocks nearly all of the visible light coming into the camera

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